Breaking Jazz
About The Program
Dizzy Gillespie once said: “As a musician, you have to keep one foot in the past and have one foot forward, into the future.”
Matt Silver here to let you know that musicians making new jazz records today — whether they’re conscious of it or not — continue to heed Dizzy’s words. This music we love is so inextricably bound to its history, to legendary musicians long passed, that, as an audience, we can lose sight of the fact that it’s constantly evolving, its idiomatic language constantly expanding, like the universe — or the argot of adolescence.
On my new show, “Breaking Jazz” — showcasing the recently released music I like best right now — you’ll hear from the instrumentalists and vocalists generating the most buzz in the contemporary jazz ecosystem. You’ll also hear from those who’ve got the chops but not yet the name recognition. Hence, breaking jazz — like breaking news.
But the name of the show implies something beyond that. And that is the prospect of discovering not just new songs and the new names playing them, but new sounds — sounds distinctly rooted in the capital-T tradition but also unencumbered by any prescriptive notion of what jazz is or must be.
On “Breaking Jazz,” we’ll champion music qua music; that is, music for its own sake, as a mood and perspective altering substance that makes life, if not a little better, than at least a little richer and more acutely felt, its texture more perceptible. I will never play an album simply because its promotional materials declare it to stand for one anodyne, focus-group-tested political position or another. To be sure, music amplifies the melody, harmony, and rhythm of the time in which it’s made, and the times in which we live are, indeed, hyper-political. But, to me, if something’s gonna make the air, it’s because it’s made a statement musically, not in a press release.
I’m not looking for fresh new faces to sell jazz to the masses — or to save it or transcend it or redraw its borders; I’m going to play for you the stuff I compulsively share with those closest to me because I want them — I NEED them — to be as excited about it as I am.
I’ve learned that when you thoughtfully share music with others, you can reveal those parts of your innermost self that conventional language will never completely do justice. Each week, for 90 minutes, I’ll share those parts of myself with you.
THIS is Breaking Jazz.
Join me. Every Sunday night at 6:30 pm Pacific. On KSDS Jazz 88.3 FM in San Diego; all around the world at jazz88.org and the KSDS mobile app.
On-Demand Audio Content
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Here are a few CD selections featured most recently:
Here are the 30 most recent tracks played on this show:
December 8th at 7 PM Hour | ||||
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7:55 PM | Arturo Sandoval | “Round Midnight” — My Foolish Heart | BUY | |
7:45 PM | Pritesh Walia | “Finishing Up” — Hopetown | BUY | |
7:38 PM | Colin Vallon | “Mars” — Samares | BUY | |
7:30 PM | Renee Rosnes | “Amor Até O Fim” — Crossing Paths | BUY | |
7:24 PM | Charles Owens Trio | “My Ideal” — The Music Tells Us | BUY | |
7:16 PM | Steven Feifke | “And Then There Was Nothing” — The Role of the Rhythm Section, Vol II | BUY | |
7:10 PM | Taylor Eigsti | “Bad Sport Lobby” — Plot Armor | BUY | |
7:07 PM | Ryan Keberle and Catharsis | “Cycle” — Music is Connection | BUY | |
7:01 PM | Greg Ward, Ziv Ravitz, Matthew Stevens, and Leo Genovese | “Good Morning Zebras” — Full Cream | BUY | |
December 8th at 6 PM Hour | ||||
6:53 PM | Out of/Into | “Second Day” — Motion I | BUY | |
6:48 PM | Jacob Bro | “Milford Sound” — Taking Turns | BUY | |
6:41 PM | Richard Cortez | “You Go to My Head” — Mood Swings | BUY | |
6:30 PM | Day Dream | “Come Sunday” — Duke and Strays Live | BUY | |
December 1st at 7 PM Hour | ||||
7:56 PM | The Greyboy Allstars | “San Diegogo” — Grab Bag: 2007-2023 | BUY | |
7:49 PM | Ryan Keberle and Catharsis | “Hammersparks” — Music is Connection | BUY | |
7:46 PM | Immanuel Wilkins | “Moshpit” — Blues Blood | BUY | |
7:42 PM | Riley Mulherkar | “King Porter Stomp” — Riley | BUY | |
7:34 PM | Taylor Eigsti | “Bucket of Fs” — Plot Armor | BUY | |
7:29 PM | Vanisha Gould | “She's Not Shiny, She's Not Smooth” — She's Not Shiny, She's Not Smooth | BUY | |
7:22 PM | Michael Mayo | “It Could Happen to You” — Fly | BUY | |
7:12 PM | The Mathis Picard Trio | “The Space Between Breath” — The Royal Room: Live in Seattle | BUY | |
7:01 PM | Mike Stern | “Connections” — Echoes and Other Songs | BUY | |
December 1st at 6 PM Hour | ||||
6:56 PM | Charles Goold | “Triptych Lespri III: Davis's Blues” — Triptych Lespri | BUY | |
6:43 PM | Marshall Gilkes and the WDR Big Band | “Back in the Groove” — Life Songs | BUY | |
6:38 PM | Jonathan Barber | “In Motion” — In Motion | BUY | |
6:30 PM | Stav Goldberg | “Comfort Song” — Symphony of Water | BUY | |
November 24th at 7 PM Hour | ||||
7:57 PM | Lucy Yeghiazaryan | “Turquoise Cloud” — Beside the Golden Door | BUY | |
7:49 PM | Pritesh Walia | “Brief” — Hopetown | BUY | |
7:42 PM | Ben Solomon | “Generalife” — Echolocation | BUY | |
7:34 PM | Vanisha Gould | “Donovan” — She's Not Shiny, She's Not Smooth | BUY |