Matt Silver

Coltrane circa 1955-56 while recording “’Round About Midnight” with Miles Davis’s First Great Quintet

By Matt Silver

From June to August 1954, John Coltrane records in Los Angeles with the first saxophonist whose sound he sought to emulate, Duke Ellington’s legendary alto man Johnny Hodges. Up to this point, with the exception of his bebop stint with Dizzy Gillespie from 1949 to 1951,  most of Coltrane’s formal gigs — with Earl Bostic, Billy Valentine, Gay Crosse and even with Johnny Hodges — had been very blues and dance party oriented.

This all changes in the Fall of 1955.

Photograph of The Coltrane House in Philadelphia. Located near the intersection of 33rd and Oxford Streets in the city’s Strawberry Mansion neighborhood, Coltrane lived here—first with his cousin Mary, then with his first wife Naima and adopted daughter Syeeda—from 1952 to 1958. Photographed here in 1992 by the prolific chronicler of all things Coltrane, Yasuhiro Fujioka.

By Matt Silver

There was something happening in Philadelphia during the period John Coltrane came of age there. He arrived in 1943, shortly after his high school graduation and stayed until late 1957. After kicking heroin in the Strawberry Mansion house he shared with his cousin Mary, first wife Naima, and daughter Syeeda—all soon to be immortalized on Giant Steps — he did as one must when on the cusp of stratospheric artistic innovation; he moved to New York City. He hooked up with Thelonious Monk and, together, they transcended what jazz conception had been to that point. Then it was back to Miles and the new thing, the modal phase. And a year later: Kind of Blue.

Why are we at KSDS so compelled to explore the vast reaches of the Coltrane universe? Because, like Everest, it’s there.

By Matt Silver

This February, KSDS Jazz 88.3 FM San Diego celebrates Black History Month by honoring the Coltrane Legacy. Though John Coltrane died at 40, the reach of his musical and spiritual influence was vast during his life and has become something approaching infinite since his death; like the universe, it touches more than we can perceive and comprehend and continues to grow. 

Jazz Live with Diane Schuur scheduled for Tues. evening Jan. 9, 2024 has been postponed. NOT canceled; postponed. Details to come. Stay tuned to KSDS Jazz 88.3 FM and Jazz88.org for updates.

Due to an illness, Diane Schuur will be unable to make it to San Diego for tonight's Jazz Live performance at the Saville Theatre. Tonight's Jazz Live concert has, therefore, been postponed.

Please note: Diane Schuur’s performance is merely postponed, not canceled. Fear not, Jazz 88ers; WE WILL RESCHEDULE as soon as Diane is back at full strength. Of course, tickets held for tonight's concert will be honored for that to-be-announced "rain date."

More details to come. As soon as we know, you'll know. So, please check both the KSDS Jazz 88.3 FM airwaves and Jazz88.org regularly for the most up-to-date announcements.

It’s the hottest ticket in town! San Diego native and celebrated musical educator Tamara Paige will conduct Gilbert Castellanos and the KSDS Jazz Orchestra in “Sketches of Spain” — the legendary Miles Davis/Gil Evans collaboration — on Jan. 6, 2024 at the Legacy Center’s Pavilion Theater.

Happy New Year, Jazz88ers!

We’ve got a ton to look forward to in 2024—from even more expertly curated on-air programming specials to the best live music events put on by any public radio station anywhere. And we’re not wasting any time bringing out the big guns—maybe San Diego jazz’s biggest gun—to start the new year in a manner befitting our great radio station and our attuned, sophisticated listeners.  

THIS SATURDAY, JAN 6 at 7 PM—at the PAVILION THEATER on the campus of the new and spectacular LEGACY RESORT HOTEL & SPA in Mission Valley — trumpeter and San Diego jazz patriarch GILBERT CASTELLANOS will be the featured soloist, as San Diego's own Tamara Paige conducts the KSDS JAZZ ORCHESTRA in a performance of SKETCHES OF SPAIN, the monumental collaboration between Miles Davis and composer/arranger Gil Evans. Best of all, the orchestra will be playing THE ORIGINAL CHARTS, as orchestrated by Evans. Paige, Castellanos and co. will be delivering you the genuine article: unamended, unadulterated, and in MINT condition. And in the KSDS JAZZ ORCHESTRA, they’ll have the horsepower backing them to pull it off with all the style and panache you'd expect from a program bearing Gilbert Castellanos's name.

There’s no better way to spend New Year’s Eve EVE than with Grammy winning musician and producer Billy Vera and a very special Soul Jazz edition of Saturday Night Fish Fry.

By Matt Silver

This Saturday night at 6 p.m. PT, Billy Vera, the celebrated singer/songwriter, Grammy winner, and most soulful host of KSDS's "Saturday Night Fish Fry," is trading in his usual brand of jump jazz, rhythm and blues, and boogie woogie and setting course for a decade-and-a-half into the future, to the early-to-mid 1960s, when hard bop, R&B, funk, and gospel got together and expressed themselves through Hammond B3 organs and amplified saxophones and smoky electric guitars and honest, assertive, maximally soulful vocals that brooked no BS—or jive, as it were.

By Matt Silver

KSDS General Manager Ken Poston joined the Jazz Journalists’ Association’s (JJA) monthly podcast — “The Buzz” — this week for an authors’ panel discussing the three books published on and about Gerry Mulligan in the past year. One of those books—Being Gerry Mulligan: My Life in Music, the late baritone saxophonist’s autobiography as-told-to Poston—was a project thirty years in the making.

This week on “Sing! Sing! Sing!” Will Friedwald makes a weekend contribution to KSDS’s 12 Days of Sinatra by revisiting Sinatra’s 1955 recording "In the Wee Small Hours" and interviewing Sinatra’s granddaughter AJ Lambert, a vocalist who’s made the album part of her vocal repertoire.

By Matt Silver

It’s no secret that the prolific Will Friedwald considers Frank Sinatra to be the greatest entertainer of the 20th century. On this week’s episode of “Sing! Sing! Sing!” Friedwald takes a deep dive into what might be Sinatra’s greatest album, 1955’s In the Wee Small Hours. Joining him is singer, songwriter, and multi-instrumentalist AJ Lambert, who knew Frank and his music as well as anybody — as a granddaughter would (Lambert is Nancy Sinatra’s daughter and oldest child).

Adam Gopnik, longtime staff writer for "The New Yorker," author, songwriter, playwright, Sinatra fanatic.

By Matt Silver 

Our “Twelve Days of Sinatra” is officially breaking for regularly scheduled programming over the weekend. We’ll officially be back at it again on Monday, Dec. 11 at noon Pacific, with the Seventh Day of Sinatra—Frank in the Movies—hosted by Chuck Granata. Officially. But here at KSDS, we’re less interested in the distinction between official and unofficial than you might think. In fact—call it our trailblazing spirit—we kind of love the renegade, weekend regions of our terrestrial radio landscape, where we give the unofficial a wide berth to stretch its legs, riff without restraint, and luxuriate in the unadulterated freedom of an off-the-books lifestyle.

By Matt Silver

In 1957, Benny Golson wrote perhaps the most beautiful requiem in the jazz canon. Earnest and heart-wrenching “I Remember Clifford” is a bona fide standard, inspiring versions by Dizzy Gillespie, Art Blakey, Lee Morgan, Sonny Rollins, Quincy Jones, and nearly every jazz instrumentalist of consequence, including Golson himself.

But it begs the question: Do we follow the lead of Benny’s lament and do enough to remember Clifford ourselves? This year, we do. Here at KSDS, we aim to honor jazz’s great innovators, past and present. Clifford Brown, who tragically died four months shy of his 26th birthday in June 1956, is indisputably one of them.